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The true story of Marion Davies, real-life ‘Mank’ character



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Marion Davies was born to be a gold digger.

The Brooklyn present lady, raised in a lower-middle-class family by a striving mom and an unsuccessful lawyer dad, had one ambition drilled into her: Stay within the pocket of a rich man.

Davies succeeded — aligning herself with certainly one of America’s richest, strongest media barons, William Randolph Hearst. He impressed the title character in Orson Welles’ unflattering “Citizen Kane,” whereas Davies was thought to have been the mannequin for Kane’s mistress, Susan, an untalented social climber.

“Welles admitted that he made Marion look worse than she was,” David Nasaw, writer of “The Chief: The Lifetime of William Randolph Hearst,” advised The Publish. “Welles created a fictional character that had nothing to do with Marion, besides that she did jigsaw puzzles. That was the trace to insiders. It was merciless.”

Now, 60 years after her demise, Davies is getting a posthumous Hollywood do-over. Amanda Seyfried performs her within the Netflix film “Mank,” which facilities on screenwriter Herman J. Mankiewicz and his alcohol-fueled creation of “Kane.” The movie acquired six nominations for the 2021 Golden Globes — greater than every other this 12 months — together with greatest dramatic movie and greatest supporting actress for Seyfried.

“Amanda introduced dimension to the position,” Laray Mayfield, the film’s casting director, advised The Publish. “She confirmed that Marion was not only a humorous lady who drank an excessive amount of at events. She had integrity and that’s what made Hearst really feel protected along with her.”

A golden-haired magnificence with a stammer, Davies began younger, leaving faculty to be a refrain lady like her three older sisters; her first credited Broadway look, within the musical “Chin-Chin,” got here at age 17.

But it surely was two years later, whereas dancing within the Ziegfeld Follies at 42nd Road’s New Amsterdam Theatre, that every thing would change for Davies.

Davies— seen here in the 1926 movie “Beverly of Graustark” after Hearst nurtured her film career — died in 1961. Her niece later claimed to actually be the love child of Davies and Hearst.
Davies— seen right here within the 1926 film “Beverly of Graustark” after Hearst nurtured her movie profession — died in 1961. Her niece later claimed to truly be the love youngster of Davies and Hearst.

William Randolph Hearst, then 53 and proprietor of the influential New York American and New York Night Journal newspapers, was already married to a former showgirl, Millicent, when he attended the “1916 Follies.” He was there together with his publishing buddy Paul Block, who appeared to be having a fling with Davies. However the relationship was winding down and Hearst was clearly taken with the 19-year-old.

Backstage, as described in “Marion Davies: A Biography” by Fred Lawrence Guiles, Hearst gave Davies an beautiful gold watch from Tiffany. In brief order, she misplaced it. When she was afraid to inform Hearst, a buddy took the initiative. A contemporary watch — albeit rather less beautiful — was delivered.

The romance between Davies and Hearst shortly took off, because the illicit couple dined at sizzling spot Delmonico’s and loved rendezvous at his hideaway close to Bryant Park. He moved Davies and several other of her members of the family right into a 25-room townhouse on Riverside Drive. The lavish digs conveniently positioned her close to the 86th Road mansion Hearst shared together with his spouse and 5 sons.

Hearst stoked Davies’ profession, ensuring she was featured in his newspapers. “Hearst needed the world to see her as he did: as an angel,” mentioned Lara Gabrielle, who’s writing a Davies biography, “Captain of Her Soul,” for 2022 publication.

Screenwriter Anita Loos remembered lunching with Hearst and Davies one afternoon, then sharing dinner with the writer and his spouse that evening. Hearst advised Loos: “Properly, younger woman, we appear to be sitting subsequent to one another in moderately various places, don’t we?”

By all accounts, Davies was a handful. She lived nocturnally and drank like a fish, refusing to let Prohibition get in the best way. Although Hearst frowned upon alcoholic extra, he financed her indulgences. When she toured the nation with the musical “Oh, Boy,” Davies stayed in suites and threw at the very least one bash with bottomless champagne and caviar.

Marion Davies and publishing magnate William Randolph Hearst (left) were lovers — despite him being married — from 1916 until his death in 1951.
Marion Davies and publishing magnate William Randolph Hearst (left) have been lovers — regardless of him being married — from 1916 till his demise in 1951.
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In 1919, Hearst launched Cosmopolitan Productions, a motion-picture firm by means of which he might increase Davies’ Hollywood profile. She would seem in 29 silent films and 17 talkies for the corporate. It additionally supplied excuses for the 2 of them to spend time collectively. “Hearst was in love with Marion — and jealous,” mentioned Nasaw.

And the films, he added, “weren’t an arrogance undertaking. Lots of her movies made cash. Marion was a terrific actress.” Classic movie professional Steve Massa, writer of “Slapstick Divas: The Girls of Silent Comedy,” characterizes “Present Individuals” and “The Patsy” as two of her greatest.

Cosmopolitan merged with Metro-Goldwyn-Mayer in 1924, and Davies signed a $400,000 ($6 million at this time) contract for 40 weeks. However when Lillian Gish bought MGM’s solely feminine dressing room with a rest room, Hearst organized to construct what he referred to as a “bungalow” for Davies. (Nasaw described it as “a 14-room mansion on the lot.”)

With Millicent nonetheless in New York, Davies dominated because the queen of Hearst’s legendary “fort” in San Simeon, Calif. He additionally purchased her an property in Beverly Hills. “She had her own residence, her personal servants and her personal life,” mentioned Nasaw.

Her property was social gathering central, with lavish dinners and rivers of illicit booze served to 100 or so visitors, a number of nights every week. Her crowd included John Barrymore, Rudolph Valentino and Charlie Chaplin — with whom Davies was mentioned to be having an affair.

If Hearst was postpone by Chaplin, you wouldn’t understand it. He invited the actor on jaunts aboard his 250-foot yacht, together with a 1924 costume social gathering throughout which a visitor walked in on Davies and Chaplin having intercourse.

Per week later, when producer Thomas Ince fell unwell and was carried off of Hearst’s yacht earlier than dying at dwelling, rumors swirled. One in all them — fueled by secrecy across the demise — based on the Los Angeles Occasions, was that Hearst mistakenly shot Ince moderately than the meant goal: Chaplin.

Portrait of actress Marion Davies (1897-1961) wearing a fur stole and taffeta skirt, for Apeda Studios, 1929.
Portrait of actress Marion Davies (1897-1961) carrying a fur stole and taffeta skirt, for Apeda Studios, 1929.
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The much less juicy story, based on Gabrielle, is that Ince suffered from an ulcer and angina and “grew to become violently unwell” after consuming booze and salty meals. Mentioned Nasaw: “It’s a ridiculous concept that Hearst killed him. They tried to maintain every thing secret due to prohibition.”

Nasaw additionally doesn’t suppose Davies took benefit of the person  she referred to as “Pops” in good occasions and “Droopy Drawers” throughout dangerous: “She didn’t must take benefit. He fortunately gave her every thing she needed.”

However Hearst couldn’t present sobriety. “Marion began consuming at 12 years previous and by no means stopped; her main drawback was that she was a drunk,” mentioned Nasaw. “Hearst tried each quack remedy to get her sober. He additionally tried to limit consuming at San Simeon, however Marion’s associates smuggled in liquor for her.”

Because the 1930s wore on, Davies misplaced her ingénue standing. Hearst refused to let her take femme fatale roles — all the fad in the mean time— and he or she pale from Hollywood. On the similar time, Hearst’s publishing empire was collapsing. A poor cash supervisor, he had been hit exhausting by the Melancholy. And his right-wing politics, based on Nasaw, alienated readers. Hearst discovered himself greater than $100 million in debt.

Davies did the little bit she might to assist. “She hocked her jewels,” recalled Gabrielle. “In lower than 48 hours she produced a verify for $1 million. It couldn’t save the corporate. But it surely helped.”

Marion’s spectacular New York properties

After World Conflict II, Hearst’s enterprise regained its footing. And in the long run, the connection made her wealthier than performing ever might: By the point of his demise in 1951, she held 30,000 shares of sturdy Hearst inventory, in addition to her personal cash and real-estate holdings.

However her seems to be had pale — “due to the consuming,” mentioned Nasaw, “she didn’t age properly” — and, two months later, she entered right into a rotten marriage with a service provider marine, Horace Brown. “After Hearst’s demise, part of her soul was gone,” mentioned Gabrielle. “She so badly needed to marry Hearst however was by no means capable of do it. This was her alternative to be a married girl. Moreover, Horace appeared identical to Hearst. However her relationship with Horace was tough. There was emotional and verbal violence.” Nonetheless, they stayed collectively.

Davies was recognized with most cancers in 1959 and made certainly one of her final public appearances in January 1961 on the inauguration of John F. Kennedy. Nasaw described her “sitting with the [Kennedy] household: a puffy-cheeked blond girl with sun shades.” She was there as a result of, by means of Hearst, she knew Kennedy patriarch Joseph. On Sept. 22, 1961, Marion died from jaw most cancers that had been exacerbated by a botched dental process.

Hearst was in love with Marion — and jealous.

David Nasaw, William Randolph Hearst biographer

Wild rumors adopted her to the grave. In 1993, Davies’ niece Patricia Lake claimed on her deathbed to truly be Marion’s daughter, fathered by Hearst and born in a French “chateau of some kind or slightly personal hospital.”

Lake’s demise certificates lists Hearst and Davies as her mother and father. Gabrielle shouldn’t be shopping for it. “The calendar doesn’t lie,” she mentioned. “I can inform you when Patricia was born and inform you the place Marion was and inform you that Marion wasn’t pregnant.”

Regardless of her humble beginnings, Davies “was proficient and shrewd and fortunate; she would attraction everybody within the room,” mentioned Nasaw. At her core, he added, “She was a Brooklyn lady.”


Tony Hendra, who shrunk ‘Spinal Faucet’s’ Stonehenge, lifeless at 79




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Tony Hendra — the British humorist greatest often called the “That is Spinal Faucet” supervisor who blunderingly shrunk Stonehenge — died Thursday of Lou Gehrig’s illness in Yonkers, NY.

He was 79, and had battled the sickness, often known as amyotrophic lateral sclerosis, since 2019.

“An excellent satirist,” the long-lasting 1984 mockumentary’s director, Rob Reiner, tweeted in memorializing Hendra’s dying.

Hendra bought his begin within the early 1960s as a member of the Cambridge College Footlights evaluate, showing on stage with future Monty Python stars John Cleese and Graham Chapman.

He moved to the U.S. in 1964 and — along with his comedy accomplice Nick Ullett — opened for the legendary Lenny Bruce in Greenwich Village.

Carla and Tony Hendra attend the 2017 Moth Ball: A Moth Summer Night's Dream at Capitale in 2017.
Carla and Tony Hendra in 2017.
Patrick McMullan/Getty Pictures

Hendra was most prolific as a comedy author. He penned skits for the favored U.Okay. comedy collection “That Was The Week That Was,” and for Hugh Hefner’s “Playboy After Darkish,” then began working at Nationwide Lampoon journal.

There he turned a member of an underground satire scene that included John Belushi and Christopher Visitor — who solid him as Ian Religion in “That is Spinal Faucet.”

Tony Hendra attends the "Drunk Stone Brilliant Dead" New York Premiere at Sunshine Landmark in 2015.
Tony Hendra attends the “Drunk Stone Sensible Useless” premiere in NYC in 2015.
Laura Cavanaugh/Getty Pictures

Hendra’s ridiculously small Stonehenge stage set earned a few of the film’s greatest laughs — as did this entendre-laden line, delivered whereas holding a cricket bat:

“Definitely, within the topsy-turvy world of heavy rock, having stable piece of wooden in your hand is usually helpful.”

One other large chuckle got here when the cricket bat-wielding Hendra disregarded a cancelled Boston gig, Reiner famous.

“An excellent satirist who when studying that the band’s Boston gig had been canceled, advised them to not fear [because] Boston wasn’t a giant faculty city,” Reiner’s tweet learn.

Hendra revealed a non secular memoir in 2004, titled “Father Joe: The Man Who Saved My Soul,” which prompted his estranged daughter, Jessica, to accuse him of molesting her. He denied the accusations.

Tony Hendra and Nick Ullett perform on the NBC TV music show 'Hullabaloo' in February 1965.
Tony Hendra and Nick Ullett carry out on the NBC TV music present ‘Hullabaloo’ in February 1965.
Michael Ochs Archives/Getty Pictures

With Put up wires

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Eddie Murphy sings on ‘Coming 2 America’ soundtrack




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Warning: This story incorporates spoilers from “Coming 2 America.”

Of all of the must-see musical moments within the long-awaited sequel “Coming 2 America,” which arrives Friday on Amazon Prime Video, maybe essentially the most memorable one belongs to the person himself: Eddie Murphy.

Or make that Randy Watson.

That’s proper: The Jheri-curled crooner — certainly one of a number of characters that Murphy performed along with Prince Akeem in 1988’s “Coming to America” — is again for his encore 33 years after warbling “The Best Love of All.”

And this time — as soon as once more accompanied by his backup band, Sexual Chocolate — he’s singing “We Are Household” with a lyrical twist: “We’re household/I received Sexual Chocolate with me.”

“That was completely Eddie Murphy’s concept from begin to end,” stated Randy Spendlove, president of Worldwide Music and Publishing at Paramount, the movie’s manufacturing firm. “That’s 100 p.c Eddie Murphy, the brilliance of him … with all the unique members of Sexual Chocolate there within the background.” 

Eddie Murphy as Randy Watson in "Coming 2 America."
Eddie Murphy revives his function as Randy Watson in “Coming 2 America.”
Photograph: Annette Brown

It’s simply one of many methods through which “Coming 2 America” honors the unique’s musical legacy.

“The unique had loads of music, and the unique soundtrack was tremendously profitable, so it was huge footwear to fill,” stated Spendlove. “The good information is that our director, Craig Brewer, together with Eddie, had such an incredible musical imaginative and prescient. A lot of it was deliberate out prematurely, and a number of the nice moments got here collectively whereas on set taking pictures in Atlanta. These wonderful cameos type of appeared on the final minute, which actually turned out to be one thing particular.”

One cameo-heavy scene consists of En Vogue and Salt-N-Pepa flipping their 1993 hit “Whatta Man” into “Whatta King.”

“ ‘Coming to America’ was such an iconic movie for us and such a milestone in African American tradition,” stated En Vogue’s Cindy Herron. “So once we received the decision to take part within the movie and are available collectively and redo ‘Whatta Man’ with Salt-N-Pepa, we had been simply over the moon.”

The cover of the "Coming 2 America" soundtrack.
The “Coming 2 America” soundtrack options everybody from Eddie Murphy to En Vogue to John Legend.

Filming the scene on the top-secret set at Tyler Perry Studios in Atlanta “was like strolling into Zamunda,” stated Herron of the fictional African nation through which a lot of the movie takes place. “The element within the set design, the element that they gave to the costumes — every part was so beautiful. And you then had all this expertise.”

After all, that star-studded expertise included Salt-N-Pepa, who made it “Whatta” reunion. “Salt-N-Pepa convey it! These ladies are queens,” stated Herron. “All of us collectively, it simply felt like, ‘Oh, my God, the woman energy proper now!’ ”

As if that weren’t sufficient, in the identical scene there’s additionally a musical cameo from the legendary Gladys Knight, who turns “Midnight Practice to Georgia” into “Midnight Practice From Zamunda.”

“It was conceived in type of a conference-room setting,” stated Spendlove. “When it was truly occurring, individuals had been simply laughing so laborious. You may think about all people rolling on the ground. It was actually simply a type of magical days on the set.”

In the meantime, R&B star Teyana Taylor — who performs Bopoto within the movie — places her personal horny spin on Prince’s “Gett Off.”  “As soon as once more, the ability of ‘Coming to America’ [means] you may go after a Prince tune,” stated Spendlove.

Teyana Taylor and Jermaine Fowler in "Coming 2 America."
Teyana Taylor and Jermaine Fowler in “Coming 2 America.”
Photograph: Quantrell D. Colbert

And in a nostalgic nod to royal servant Oha (Paul Bates) singing “She’s Your Queen to Be” within the unique, the character busts out his pitchy falsetto as soon as once more on “Gett Off.”

“Every little thing was completed with an actual heartfelt intention to honor film one,” stated Spendlove.

That included updating the title tune “Coming to America.” Nile Rodgers, who produced the System’s unique, returns to do a recent tackle the tune. “He stated, ‘What if we see if we will get John Legend to sing with Burna Boy and make it a worldwide concept,” stated Spendlove. “Nile Rodgers helped pull that collectively.”

Nigeria’s Burna Boy is certainly one of many African artists represented within the movie, on the soundtrack and on a companion album titled “Rhythms of Zamunda: Music Impressed by ‘Coming 2 America.’”

“It was a part of the DNA of this movie, and it made sense,” stated Sipho Dlamini, CEO of Common Music South Africa and Sub-Saharan South Africa, who labored on the inclusion of African expertise. “This time round, there’s an opportunity to convey artists from the continent who’ve wonderful sounds, rhythms and tones that commemorate the range of tradition that’s Africa.”

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New true-crime collection ‘For Heaven’s Sake’ probes thriller




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An 85-year-old chilly case involving a lacking man is the topic of the brand new Paramount+ docuseries “For Heaven’s Sake.”

The eight-episode arc follows creators and stars Mike Mildon and Jackson Rowe as they probe on the 1934 disappearance of Mike’s great-great-uncle, Harold Heaven. 

“It actually was only a campfire story my total life,” Mildon, 26, instructed The Submit. “I don’t bear in mind precisely how outdated I used to be [when I first heard Harold’s story]. It’s most likely going again to very younger, like 5 or 6.”

Within the winter of 1934, Heaven abruptly left his cottage in Haliburton County, Ontario, in the midst of the night time. The door was left open with the keys within the lock  — and he was by no means seen once more. The lakes and forests had been subsequently searched, however there have been no footprints within the snow and no signal of him — or a physique — ever turned up.

“There’s been so many theories and a lot rumour, and that’s all we needed to go off of,” mentioned Mildon. “We actually discovered the dos and dont’s of being novice detectives.”

Mike Mildon (left) and Jackson Rowe (right) in "For Heaven's Sake"
Mike Mildon (left) and Jackson Rowe (proper), creators and stars of true crime docuseries “For Heaven’s Sake,” speak concerning the mysterious 1934 lacking individual case of Harold Heaven.

The collection explores the assorted potentialities about what occurred to Heaven, together with suiicide, working away or being murdered — together with his physique simply hidden by road-blasting that was occurring within the area on the time. 

 “I wasn’t positive which principle was true [going in],” mentioned Rowe. “But it surely appeared that there was a canopy up occurring and a few group of individuals knew the reality.”

Mildon and Rowe are comedians (“Trophy Husbands”), which helped get “American Vandal” creators Tony Yacenda and Dan Perrault onboard as exec-producers — however neither Mildon nor Rowe have backgrounds in forensics, reporting or investigative work. 

“Mike and I met in 2013 taking courses at Second Metropolis, and we began making sketch movies,” mentioned Rowe, 30. “We’ve a love for filmmaking and comedy. One thing we like to do with our movies is take a  style that already exists and put our spin on it. This was our first foray into true crime. We got here in with a wholesome respect for it and a wholesome need to do it justice. We’re such followers of it.”

Mike Mildon (left) and Jackson Rowe (right) in "For Heaven's Sake"
“For Heaven’s Sake” is on the market on Paramount+.

Each say that HBO’s “The Jinx” and “The Staircase” (Netflix) are amongst their favorites within the style. Whereas a duo of funnymen with a private connection to the case makes for an uncommon pair of detectives, Mildon and Rowe mentioned their unconventional background got here in helpful. 

“I believe it positively helps,” mentioned Rowe. “We’re used to improvising, pondering on our ft and making individuals snicker. We’re making individuals really feel comfy and setting a tone for an interview.”

For Mildon, it was additionally an opportunity to interview his personal family members concerning the mysterious story of Harold’s disappearance. Amongst others, his grandfather Ted Heaven and his aunt Irene Heaven seem within the collection to supply their testimonies onscreen.

“The benefit of having Jackson with me is he might include an outsider perspective and do away with that household bias,” mentioned Mildon. 

“The Heaven household had been very happy to open their doorways for the interviews [and] I used to be nervous to speak to my household and convey up the previous,” he mentioned. “There was loads of belief concerned — however now I look again on the expertise and really feel blessed that I received to have that sitdown time with all these family members and discuss our household historical past.

“There’s a lot heat in that.”

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