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Marie Harmon, mother of Runaways rocker Cherie Currie, lifeless at 97

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Actress Marie Harmon, who co-starred World Battle II-era Western motion pictures with cowboy icons Roy Rogers and Sundown “Equipment” Carson, died Monday of pure causes in Los Angeles. She was 97.

Her passing was confirmed on Instagram by her daughter Sondra Currie, a fellow actress who appeared in all three entries of Bradley Cooper’s hit “The Hangover” franchise, in addition to string of TV collection, together with “Cheers,” “Magnum P.I.” and “The Secret Lifetime of an American Teenager.”

“Our attractive mom Marie Harmon Currie/Kaupish took flight in the present day at 4:40 p.m.at 97,” Sondra wrote in her social media tribute. “She actually was stupendous. Secure flight, Mother.”

“She led an incredible life, filled with grit & dedication & a number of love & compassion!” Sondra wrote in one other message. “I’m so happy with her Spirit! Shine on, Mother…I’m fortunate u hatched me.”

Harmon was maybe best-known because the mom of “Cherry Bomb” rocker Cherie Currie, the platinum blonde front-woman of the long-lasting glam-rock band The Runaways within the mid-1970s. Cherie additionally went on to earn acclaim as an actress for her naturalistic efficiency as a troubled teen in 1980’s “Foxes,” an Adrian Lyne movie starring Oscar winner Jodie Foster.

Harmon was portrayed by Oscar winner Tatum O’Neal within the 2010 biopic “The Runaways,” which starred Dakota Fanning as Cherie and Kristen Stewart as bandmate Joan Jett.

Cherie Currie, of the Runaways, performs onstage at the Aragon Ballroom, Chicago, Illinois, March 25, 1977.
Cherie Currie, of the Runaways, performs onstage on the Aragon Ballroom, Chicago, Illinois, March 25, 1977.
Getty Pictures

A local of Oak Park, Illinois, Harmon relocated to Hollywood at solely 18 years outdated with desires of being a film star, she as soon as instructed the cult film web site Western Clippings. She labored as a cigarette lady, a car-hop at a drive-in restaurant and at last as a hostess at Lou Costello’s nightclub, the place “George Raft flirted with me one night, to the distaste of Betty Grable.”

Quickly, Harmon was snagging small background roles in 1940s B-movies comparable to 1943’s “Hello’Ya, Sailor” and 1944’s “Hatcheck Honey.” She graduated to extra A-list fare after turning into a contract participant with Republic Photos, co-starring reverse main males comparable to Robert Walker in 1945’s “The Sailor Takes a Spouse” and field workplace heavyweight Mickey Rooney in 1947’s “Killer McCoy.”

Nonetheless, after a string of failed auditions, Harmon began to really feel like “…a has been. In any case, I used to be 24 and all of the younger ladies coming in had been of their teenagers, simply as I used to be once I first began. I believed it was time for me to maneuver on to different issues.”

She formally retired from the flicks in 1958 after an uncredited bit half within the minor cult flick “I Married a Girl.”

Her third husband, Dr. Wolfgang Kaupisch, to whom she was married for 35 years, preceded her in dying in 2010, in keeping with the Hollywood Reporter.

Harmon is survived her son Don, daughters Sondra and Cherie, son Don; Sondra’s husband Alan J. Levi, a veteran director of TV collection from “Buffy the Vampire Slayer” to “NCIS;” and 4 grandchildren: Tina, Trevor, Jake and Grace.

Sunset Carson, Marie Harmon, 1946
Marie Harmon and Sundown “Equipment” Carson on the poster for the 1946 Western “The El Paso Child.”
Courtesy Everett Assortment

Hollywood

Hasidic horror film ‘The Vigil’ is frightening as hell

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How does an outsider come to make a horror movie set within the notoriously cloistered Hasidic enclave in Borough Park?

With some chutzpah, and a whole lot of assist.

First-time author and director Keith Thomas was decided to carry his imaginative and prescient — a supernatural horror film about an ultra-religious Jewish group — to life. The result’s “The Vigil,” which premiered on the Toronto Worldwide Movie Pageant in 2019 and can be accessible to observe Friday in choose theaters and to stream on VOD.

The story facilities on Yakov (a powerful Dave Davis, of “The Massive Brief” and “True Detective”), a onetime Hasid who lately lower ties with the insular group after a household disaster. Struggling to make ends meet, he reluctantly accepts a quickie in a single day job as a shomer — somebody who watches over a lifeless physique, thought of a holy act within the Jewish custom.

It’s going to be a straightforward $400. Or so Yakov thinks.

The night time that unfolds blends conventional horror movie motion with deep Jewish mysticism, drawing from the world of demonology. The physique belongs to Mr. Litvak, a recognized recluse whose spouse suffers from superior dementia. As Yakov rapidly learns, the deceased was plagued with a mazik, an evil, supernatural hanger-on who’s on the lookout for a brand new host. “After I’m gone, the mazik will discover one other damaged individual,” the previous man warns in a terrifying imaginative and prescient. “It’ll slowly eat their soul.”

"The Vigil" follows Yakov (Dave Davis) who takes a job as a shomer: someone who watches over a dead body.
LET THERE BE FRIGHT: “The Vigil” follows Yakov (Dave Davis) who takes a job as a shomer: somebody who watches over a lifeless physique.
IFC

Thomas, 45, who’s Jewish however not Orthodox, was first impressed to jot down a scary story a few shomer within the early 2000s, when he was learning for a grasp’s diploma in non secular training on the Hebrew Union Faculty in Manhattan. Again then, he would stroll although the town’s varied ultra-Orthodox enclaves. “I discovered these communities actually fascinating,” he instructed The Submit. “I felt actually comfy going to their shuls.”

Certainly, he was inside a synagogue when the thought first sparked, as he overheard two older males discussing a shomer who had deserted his put up out of worry. That evocative snippet “sat with me for a very long time,” Thomas mentioned. “I believed it was an intriguing concept.”

"The Vigil" director, Keith Thomas
Jewish, however not Orthodox, author and director Keith Thomas first bought the thought for “The Vigil” within the early 2000s, when he was learning for a grasp’s diploma in non secular training and used to stroll by Brooklyn’s Hasidic neighborhoods.
IFC

Nonetheless, it will be a few years earlier than he was in a position to pursue it.

As soon as he had a script in hand and some Orthodox producers connected, Thomas, who lives in Denver, knew that the best casting was key. “A whole lot of the actors are from the group,” he mentioned, together with Menashe Lustig, who starred within the critically acclaimed 2017 film “Menashe.” He additionally employed a number of Orthodox consultants who made certain the movie felt true to life.

“I trusted their perception — I knew I wanted to lean on them,” mentioned Thomas. Although he wrote the movie in English, he was aided by native Yiddish audio system, who had peppered the script with the standard Hasidic language by the point the six-week shoot started in fall 2018.

Malky Goldman performs Sarah, a buddy of Yakov’s. Similar to her character in “The Vigil,” Goldman, 32, left her ultra-Orthodox upbringing in Jerusalem and have become an actress, and now resides in Ditmas Park. She instructed The Submit that Thomas was dedicated to creating the movie “as genuine to the horror group as he was … to the Hasidic group.”

For Thomas, discovering that stability was essential, however tough. “I didn’t need to denigrate the group, however I additionally wasn’t there to simply rejoice it both. I need to be true to the world and the folks,” he mentioned.

A scene from "The Vigil" that was shot in parts of Brooklyn including Williamsburg.
A scene from “The Vigil” that was shot in elements of Brooklyn together with Williamsburg.
IFC

He mentioned he bought his first glimpse of his movie’s influence late one night time when taking pictures in Williamsburg.

“It was about 2:30 within the morning and we noticed about 150 Orthodox males surrounding the set,” mentioned Thomas of the curious locals, most of whom had by no means seen a film as a result of non secular restrictions. “We’re fortunate we had a whole lot of Yiddish audio system and rabbis on set to clarify it to them.”

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Hulu biopic is ‘cultural misappropriation’

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He’s not pulling any punches.

Mike Tyson has taken a swing at Hulu’s newly introduced biopic “Iron Mike,” deeming the straight-to-series mission to be a gross instance of “cultural misappropriation.”

The eight-episode present, created by “I, Tonya” screenwriter Steven Rogers, will chronicle the tumultuous life and profession of what the streamer dubbed “one of the crucial polarizing figures in sports activities tradition,” in keeping with the Hollywood Reporter. The Disney-backed platform claimed that they briefed Tyson, 54, on the present, however the boxing icon was reportedly not concerned with its creation.

Child Dynamite voiced displeasure over “Iron Mike” in a no-holds-barred Instagram put up.

Mike Tyson (R) throws a punch against Reggie Gross during the fight at the Madison Square Garden, on June 13,1986
Mike Tyson (proper) throws a punch in opposition to Reggie Gross through the battle on the Madison Sq. Backyard, on June 13, 1986.
The Ring Journal through Getty Imag

“Hulu’s announcement to do an unauthorized mini-series of the Tyson story with out compensation, though unlucky, isn’t shocking,” the previous heavyweight champion wrote of the biopic. “This announcement on the heels of social disparities in our nation is a main instance of how Hulu’s company greed led to this tone-deaf cultural misappropriation of the Tyson life story.”

Mike Tyson exits the ring after receiving a split draw against Roy Jones Jr. during Mike Tyson vs Roy Jones Jr. presented by Triller at Staples Center on November 28, 2020 in Los Angeles, California.
Tyson exits the ring after receiving a break up draw in opposition to Roy Jones Jr. throughout “Mike Tyson vs. Roy Jones Jr,” introduced by the app Triller on the Staples Heart on November 28, 2020 in Los Angeles.
Getty Photos for Triller

Tyson continued, “This announcement on the heels of social disparities in our nation is a main instance of how Hulu’s company greed led to this tone-deaf cultural misappropriation of my life story. To make this announcement throughout Black Historical past Month solely confirms Hulu’s concern for {dollars} over respect for Black story rights.”

The ex-fighter added that Hollywood ought to be notably delicate to black tales following the occasions of 2020 — an obvious reference to the deaths of George Floyd and different African-People by the hands of cops final yr.

So as to set the document straight, Tyson is outwardly engaged on his personal counterpunching mission.

“The true Mike Tyson approved story is in improvement and can be introduced in coming days,” the hall-of-famer claimed.

Hulu didn’t reply to the Hollywood Reporter’s request for touch upon Tyson’s accusations.

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‘Tom & Jerry’ film, with Chloe Grace Moretz, used puppets

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It’s not straightforward emoting to a tennis ball.

However on this period of computer-generated wizardry, actors are sometimes pressured to shoot their scenes reverse a personality that doesn’t but exist — an alien, a speaking animal or a dragon, ceaselessly represented by a tennis ball on a pole or another impersonal object.

Tim Story, director of “Tom & Jerry: The Film,” was decided not to do this when it got here to his furry leads. The brand new comedy combines animation and dwell motion and debuts in theaters and on HBO Max Friday.

Story needed to supply one thing bodily as stand-ins for his actors to work with.

“We tried each kind of concept,” Story instructed The Publish. “We have been going to place iPads on the bottom with one other actor [in video] on the opposite finish — perhaps a mime.”

Then the manufacturing staff figured: Why not use puppets?

Jerry (left) and Tom in a scene from “Tom & Jerry: The Movie.”
“Tom and Jerry: The Film” used a mixture of puppets and CGI to deliver the beloved cartoon characters to life.
©Warner Bros/Courtesy Everett Assortment

On this movie, Tom and Jerry – the mischievous cat and mouse who’ve been battling each other since 1940 – transfer the chaotic motion to a luxurious New York Metropolis lodge that’s making ready for a lavish marriage ceremony.

A lot of the movie was shot on a UK soundstage, with Chloë Grace Moretz taking part in a harried occasion planner alongside polyethylene foam puppets standing in for the solid of cartoon characters.

Six puppeteers have been readily available to function the animals throughout manufacturing.

“Chloë would joke with me that she grew up as a baby actor, so she typically needed to act by herself largely anyway,” Story mentioned, referring to the best way grownup stars would typically filter out when it was time to movie her response pictures.

Despite the fact that she was used to appearing alone, the puppets proved helpful.

“There’s a spontaneity, versus making an attempt to navigate this fully by yourself,” the director mentioned. “You will have one other performer supplying you with motion. It grew to become an awesome software.”

From left: Tom Cat, Chloe Grace Moretz, Jerry Mouse
Chloe Grace Moretz stars as an occasion planner whose world is disrupted by the mischievous pair.
©Warner Bros/Courtesy Everett Assortment

The Tom mannequin was constructed to the peak the animated cat would seem as within the movie, so having a full-size stand-in aided the filmmakers with framing and in the end helped the animators with lighting and different cues.

One of many thrills of hybrid movies, reminiscent of 1988’s “Who Framed Roger Rabbit” and 1996’s “House Jam,” is watching cartoons work together with the actual world.

“There’s all the time this rule inside hybrid movies that you really want to have the ability to get the interplay between the bodily set and animation as a result of it makes it look extra actual,” Story mentioned.

For “Tom & Jerry,” that impact was achieved, partially, with tried-and-true strategies.

The motion for a scene was roughly mapped out, then footage was shot anticipating the animated motion that was to be added in later.

“For instance, we’d give you, if Tom jumps on a desk, does he knock one thing over or does the desk transfer a little bit or one thing?,” Story mentioned. “Then typically it’s so simple as placing some fishing line on an object and transferring it.”

Michael Pena (left) and director Tim Story (center), looking at some of the characters on set.
Actor Michael Pena (left) and director Tim Story (heart), taking a look at a few of the characters on set.
©Warner Bros/Courtesy Everett Assortment

However CGI has made this course of a lot easier than it was once.

Within the previous days, animators would hand draw their characters, taking pains to match the toons’ actions with the dwell motion that was already captured.

As for in the present day’s course of, “what’s totally different about that is the velocity at which we may do it,” Story mentioned. With hand-drawing, which was utilized in “Who Framed Roger Rabbit,” “as soon as that they had the lower of what they needed to do, they needed to persist with it. As we speak, we undergo a daily CGI workflow.”

That workflow permits for extra tweaking and suppleness.

“In a single scene, Jerry is exhibiting a hoop that he’s taken to [Moretz’s character], and at one level I needed him to bounce it like a basketball,” Story mentioned. “The animators may put that in, whereas previously, an concept so simple as that turns into an issue.”

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